Why did some Japanese Americans volunteer to fight for the US Army?
What aspects of the mens' experience do the WRA photographs show?
What aspects of the experience do the oil paintings show?
These images depict the Japanese American 442nd Regimental Combat Team. The photographs were mostly taken by government photographers; the artwork by Japanese Americans illustrates the emotional experience of these men.
Several special fighting forces from the United States, made up of single ethnic groups, made significant contributions during World War II, including the African American Tuskegee Airmen and the Navajo Code Talkers. The 442nd Regimental Combat Team was made up solely of Japanese Americans, some of whom were recruited directly from internment camps. (Some Japanese American men who would later become leaders, such as Senator Daniel Inouye, were members of the 442nd.) The images in this group provide a look at the lives and sacrifices of the men of the 442nd, the most highly decorated American unit in WWII.
The photographs in this group were all taken for the government-run War Relocation Authority (WRA) and are meant to portray the proud patriotism of the men and their families. One photo shows three women holding their babies, with photographs of their enlisted husbands. Another is a portrait of an older couple who had five sons in the 442nd. Other photographs reflect the training the soldiers of the 442nd received, their life in the battlefield, and their triumphant homecoming.
Other documents in this group show a more personal side of the men of the 442nd. One soldier's photo album depicts his personal experiences as a member of the combat team. A 50-page booklet, The Story of the 442nd Combat Team, compiled by members of the team, has this quote from Franklin D. Roosevelt on the dedication page: "Americanism is a matter of the mind and heart; Americanism is not and never was a matter of race and ancestry."
On a more poignant note, oil paintings by Japanese American artist Henry Sugimoto reflect the emotions, pain, and suffering these individuals and their families experienced as a result of the war. In Senninbari (Thousand Stiches), a woman holds a scarf of remembrance as a ghostly Nisei soldier looks down from the sky. And in Send Off Husband at Jerome Camp, an internee family stays behind the camp gates as their soldier father/husband goes off to fight for the United States.
California Content Standards1.0 Writing Strategies: Research and Technology
2.0 Writing Applications
2.3 Write information reports.
2.0 Speaking Applications
2.2 Make informational presentations.
2.0 Reading Comprehension
2.5 Extend ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.
3.0 Literary Response and Analysis: Literary Criticism
3.12 Analyze the way in which a work of literature is related to the themes and issues of its historical period. (Historical approach)
1.0 Writing Strategies: Research and Technology
1.3 Use clear research questions and suitable research methods (e.g., library, electronic media, personal interview) to elicit and present evidence from primary and secondary sources.
2.0 Writing Applications
2.3 Write expository compositions, including analytical essays and research reports
2.0 Speaking Applications
2.2 Deliver expository presentations
1.0 Writing Strategies: Research and Technology
2.0 Writing Applications
2.4 Write historical investigation reports.
2.0 Speaking Applications
2.2 Deliver oral reports on historical investigations.
2.4 Delivery multimedia presentations.
4.4 Students explain how California became an agricultural and industrial power, tracing the transformation of the California economy and its political and cultural development since the 1850s. (4.4.5)
10.8 Students analyze the causes and consequences of World War II. (10.8.6)
11.7 Students analyze America's participation in World War II.
3.0 Historical and Cultural Context Understanding the Historical Contributions and Cultural Dimensions of the Visual Arts. Students analyze the role and development of the visual arts in past and present cultures throughout the world, noting human diversity as it relates to the visual arts and artists.
Photographs (PDF) (Source: Library of Congress)
Posters/Visuals (PDF) (Source: Bringing History Home)
Written Documents (PDF) (Source: NARA)
Primary Source Activity (PDF) (Source: Library of Congress)